Scorpions & Winger at Tacoma Dome [1988.10.12]

An up-and-coming band, Winger opened the show with a set highlighted by their single ‘‘Madelaine” , currently making the rounds on MTV.

From the first notes of “We Let it Rock. . .You Let it Roll” to the final power chords of ”Dynamite”, Klaus and Co. assaulted the stage in customary Scorpion fashion.  Drawing on a repertoire from their five most recent studio albums, the Teutonic quintet (consisting of Herman Rarebell on drums, Matthias Jabs & Rudolf Schenker on guitars, Francis Bucholz on bass, and Klaus Meine on vocals) kept the crowd screaming on their feet for nearly two full hours!

Playing a generous five cuts from their new LP,  Savage Amusement (Polygram) including ”Rhythm of Love”, “Media Overkill”, & “Don’t Stop At The Top” , the double decade veterans gave a sample of their tasty new material with massive helpings of classic ‘faves’ like “Blackout”, “Coming Home”, “Make It Real”, and “Lovedrive”.  Of particular interest was a slow medley consisting of “Holiday”  (with the audience helping on the chorus) melting into “Still Loving You”.  These ever benevolent boys, I’m sure, set hormones aflutter with that combination as the crowd swayed in rhythm.

Herman and Matthias performed their obligatory solos with the showmanship of masters during a reprise of “The Zoo”.  Then a portion of the lighting rig descended, allowing Klaus to walk out over the audience on what looked like a giant ‘stinger’ arched over a scorpion’s body of stage.

The show culminated in encore renditions of ”No One Like You” and ”Rock You Like a Hurricane”, with Schenker’s Flying V exploding in fireworks after some soaring air time (about 20-25 feet!) at the end of ”Dynamite”. The evening was nothing short of dynamite, and an exhausted, very satisfied crowd exited the Dome.

1988.10.12 Scorpions & Winger at Tacoma Dome

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About Michael Edward Browning

Upon moving from Portland, Oregon to Seattle in 1989, Michael immediately immersed himself in the local music scene. Within two years he had established himself, and City Heat: Seattle's Music Magazine, as a viable voice in the global spotlight that shone on the Emerald City in the early 90's. Here you'll find his past publishing (as well as current thoughts) as he prepares to publish Seattle's Music Scene Series. Already available at Amazon.com is the first title on Kindle format: 1990: Seattle's Music Scene Distorts As 80's Glam Goes 90's Grunge.